Part 1 Scene 2
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So I’m focusing on 3 things again. We’re talking about the white elf and the black elf, and the same focuses on them.
So what I want to see here is the character of the relationship and how it feels, how I really want it to feel. I want the characters to appear as scavengers and strangers.
By scavenger, I mean it symbolises poverty of the mind: they are already slaves, but they don’t have any wealth to think about or to be able to create something you feel, apart from never doing so. For the treachery, what I mean is that they have no moral compass, they don’t have any sense of loyalty. “I’m going to build me, change my fear.” That as one, that is a block of that, that is why supremes is so reincarnate—a o’clock, a o’clock—and also for the white elf, the weight of the white elf is as I, as we as the writers know, she is actually descendant or upper.
I’d like to send them to or open the first daughter of a relationship from somewhere from the main end, and she was actually brought here, so she too is not a native and she doesn’t care herself the same as everyone else.
So they’re both quite treacherous, but they have a loyalty to each other. Because again, the white supremacist, I was the Aryan white elf. So this black elf sadly puts herself—this is what we get into in the relationship—the black elf possesses her as a pet.
She completely depends on the hierarchy between them, with her being lower than a white elf, because that’s what she wants usually between members. But as she is born in black elf, she has a conflict, feeling also inferior to that.
And we have the parasitic nature of the white elf, who is taking advantage of this. She’s not trying to correct the behaviour of the black elf; it suits her interests that somebody does more work than her, wants to be obeyed by her, and is more useful to her. So that’s the type of nature of divinity, something that’s a scared deterioration of their psyches.
Talking to me, maybe you see it as preachings. And this is good damage, and it’s becoming very festive, such as like a childhood like this—they’re about to reach a total toll with a broken mind. And that’s what we want to do with scene 2.
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